Title: Miss Bala

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Live streaming is the delivery of Internet content in real-time, as events happen, much as live television broadcasts its contents over the airwaves via a television signal. Live internet streaming requires Miss Bala a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to Miss Bala distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.

A client end-user can use their media player to start Miss Bala playing the digital video content or listens to digital audio content before the entire file has been transmitted. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, Miss Bala as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). For example, in the 1930s, elevator Miss Bala music was among the earliest popularly available streaming media; nowadays
Internet television is a common form of streamed media. The term “streaming media” can apply to media other than video Miss Bala and audio such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”.
HTTP Live Streaming (also known as HLS) is an HTTP-based media streaming Miss Bala communications protocol implemented by Apple Inc. as part of its QuickTime, Safari, OS X, and iOS software. Client implementations are also available in Microsoft Edge, Firefox and some versions of Miss Bala Google Chrome. Support is widespread in streaming media servers.

HLS resembles MPEG-DASH in that it works by breaking the overall stream into a sequence of small HTTP-based file downloads, each download Miss Bala loading one short chunk of an overall potentially unbounded transport stream. A list of available streams, encoded at different bit rates, is sent to the client using an extended M3U Miss Bala playlist.

Based on standard HTTP transactions, HTTP Live Streaming can traverse any firewall or proxy server that lets through standard HTTP
traffic, unlike UDP-based protocols such as RTP. This also allows Miss Bala content to be offered from conventional HTTP servers and delivered over widely available HTTP-based content delivery networks.The standard also includes a standard encryption mechanism and secure-key distribution using HTTPS, which Miss Bala together provide a simple DRM system. Later versions of the protocol also provide for trick-mode fast-forward and rewind and for integration of subtitles.

Apple has documented HTTP Live Streaming as an Miss Bala Internet Draft (Individual Submission), the first stage in the process of publishing it as a Request for Comments (RFC). As of December 2015, the authors of that document have requested Miss Bala the RFC Independent Stream Editor (ISE) to publish the document as an informational (non-standard) RFC outside of the IETF consensus process. August 2017, RFC8216 was published to describe version 7 Miss Bala of the protocol. Miss Bala
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